Sökning: "visual art practice"

Visar resultat 1 - 5 av 59 avhandlingar innehållade orden visual art practice.

  1. 1. Konst och kartläggning kring 1970 : Modell, diagram och karta i konstens landskap

    Författare :Karolina Uggla; Jeff Werner; Margaretha Rossholm Lagerlöf; Annika Öhrner; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Conceptual art; maps; mapping; art and cartography; art and mapping; visual culture; art and science; scientific images; art and cybernetics; alienation; the linguistic turn; Agnes Denes; Sten Eklund; Hans Haacke; Öyvind Fahlström; Richard Long; Yoko Ono; Robert Smithson; konstvetenskap; Art History;

    Sammanfattning : The years around 1970 saw the emergence of an artistic fascination with maps and mapping. In the present thesis this fascination is conceptualised as a mapping impulse, acknowledging how the discourses of art and mapping, respectively, intertwine and merge. LÄS MER

  2. 2. In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization

    Författare :Beatrice Persson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; contemporary art; Australian art; Aboriginal art; cross-culture; contemporaneity; globalization; postcolonialism; diaspora; cultural semiotics; Emily Kame Kngwarreye; Fiona Foley; Ricky Swallow; John Young;

    Sammanfattning : This study emerges from the question: what is contemporary art, and mainly what criteria constitute contemporary art in a globalized art world in general? Thus, the focus of this dissertation is on the postcolonial context of Australia and the fact that the contemporary art scene in Australia is divided into Australian and Aboriginal art respectively. This is a division originating from the colonization of Australia that began in the 1770’s, resulting in an Australian art descending from a Western art practice, where there is further focus on two categories within this art. LÄS MER

  3. 3. In Search of the Pure Photograph : A Historiographic Study of the Farm Security Administration, Walker Evans, and the Survey Histories of Photography

    Författare :Cecilia Strandroth; Marta Edling; Jan von Bonsdorff; Karin Becker; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Art history; photography; historiography; documentary; history of photography; Farm Security Administration; Walker Evans; propaganda; modernism; media specificity; photographic archives; Konstvetenskap; History Of Art; konstvetenskap; Art;

    Sammanfattning : The photographic archive of the American New Deal agency Farm Security Administration (created 1935-1943) occupies an important place in the history of photography as an exemplar of documentary photography and as symbol of the Great Depression. This dissertation is a historiographic study of this narrative of FSA photography, which investigates the archive's monumental position in the historical narration and demonstrates other possible readings. LÄS MER

  4. 4. Learning in visual art practice

    Författare :Ann-Mari Edström; Pedagogik; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; self-directed learning; studio art; phenomenography; higher education; contextual analysis; visual art practice; Autonomy; artistic development;

    Sammanfattning : The object of research in this thesis is learning within the context of a practice-based Master of Fine Arts program in visual art in Sweden. Research on learning in visual art practice within higher education is sparse, and we know little of the students’ learning processes. LÄS MER

  5. 5. Identical, But Still Different : On Artistic Appropriation in Visual Art

    Författare :Rikard Ekholm; Claes Entzenberg; Lars-Olof Åhlberg; Sven-Olov Wallenstein; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Visual art; artistic appropriation; intention; context; meta-art; conceptual art; art theory; philosophy of art; Danto; Sturtevant; Levine; Mandiberg.; Estetik; Aesthetics;

    Sammanfattning : In this dissertation about artistic appropriation I acknowledge that something indeed has happened in art. Visual art does not have to look in any special way anymore, or have historically validated content that can be visually grasped. Within this precondition artistic appropriation is situated. LÄS MER