Sökning: "transnational cinema"
Visar resultat 1 - 5 av 7 avhandlingar innehållade orden transnational cinema.
1. Blurring the Colonial Binary : Turn-of-the-Century Transnational Entertainment in Southeast Asia
Sammanfattning : This dissertation examines and writes the early history of distribution and exhibition of moving images in Southeast Asia by observing the intersection of transnational itinerant entertainment and colonialism. It is a cultural history of turn-of-the-century Southeast Asia, and focuses on the movement of films, people, and amusements across oceans and national borders. LÄS MER
2. Chinatown Film Culture : The Appearance of Cinema in San Francisco’s Chinese Neighborhood, 1906-1915
Sammanfattning : This study investigates film culture in San Francisco's Chinatown between the years 1906 and 1915. While Chinatowns have figured in several studies of representation in classical Hollywood cinema, it has rarely been approached as a place where film culture actually happened. LÄS MER
3. Do You Have a TV? : Negotiating Swedish Public Service through 1950's Programming, "Americanization," and Domesticity
Sammanfattning : This dissertation presents a cultural history of early Swedish television. The focus is on the investigation of 1950s programming, intermedial connections, processes of “Americanization,” and domestic, socio-cultural change in direct relation to the new medium. LÄS MER
4. Locating Inter-Scandinavian Silent Film Culture : Connections, Contentions, Configurations
Sammanfattning : The thesis revisits film and film-culture history in Sweden, Denmark and Norway with a view to discourses and practices of the inter- and trans-Scandinavian in the silent era. Excluding the earliest films, but including the transition to synchronised sound, it covers the period of the 1900s to 1930 with emphasis on the 1910s and 1920s. LÄS MER
5. They Will Call Me the Black God : Imaging Christianity and the Bible in African Film
Sammanfattning : This thesis explores the ways in which African filmmakers have historically addressed Christianity and the Bible on the continent. It begins with the premise that on the African continent, marked political films (Mazierska) are embedded in transnational dynamics involving movements of economic and symbolic capital, ideas, discourses and multiple publics. LÄS MER
