Sökning: "the gaze"
Visar resultat 6 - 10 av 176 avhandlingar innehållade orden the gaze.
6. Att (åter)skapa "det normala" : Bröstoperationer och brännskador i plastikkirurgisk praktik
Sammanfattning : This PhD dissertation explores how the normal is made and remade in the medical practice of plastic surgery. The thesis also question what "the normal" is that is remade. The empirical field is breast reconstruction, breast reduction, and burn injuries. LÄS MER
7. Kampen om blikket : En longitudinell studie der formidling av kunst til barn og unge danner utgangspunkt for kunstdidaktiske diskursanalyser
Sammanfattning : Interest in how children and young people encounter art has been the driving force behind this thesis. I have focused on how the target group's meeting with art in art museums, but also schools, can help to develop knowledge and understanding of the dissemination process. LÄS MER
8. I teatralitetens brännvidd : Om Ingmar Bergmans filmkonst
Sammanfattning : The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). LÄS MER
9. The Sensational Body : A Spectatorial Exploration of the Experience of Bodies on Stage in Circus, Burlesque and Freak Show
Sammanfattning : At the end of the 20th century, the three genres circus, burlesque, and freak show were revived after a long period of decline. Seemingly something in the genres still has a strong appeal to the spectators. LÄS MER
10. From Her Point of View : Woman's Anti-World in the Poetry of Anna Świrszczyńska
Sammanfattning : This book is a monograph about Anna Świrszczyńska’s poetry. It may be described as one woman’s attempt to read another woman’s literary work by taking into account established canons as well as the tools of feminist literary analysis. Part One begins with a discussion of Świrszczyńska’s biography (Chapter One). LÄS MER
