Sökning: "symphonies"
Hittade 5 avhandlingar innehållade ordet symphonies.
1. En symfonisk särling : En studie i Allan Petterssons symfonikomponerande
Sammanfattning : This thesis is concerned with the symphonies of the Swedish composer Allan Pettersson (1911–80). The aim of the thesis is to promote understanding of Pettersson’s music and compositional processes, through analyses of a selection of his symphonies. The thesis will also increase understanding of Pettersson’s view of music. LÄS MER
2. "Filmreformens förste avantgardist" : Experimentfilmaren Peter Kylberg
Sammanfattning : This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER
3. Scoring the World: The Musical Imagery of Orchestration in Gustav Mahler's Symphonies no. 4 and 5
Sammanfattning : Gustav Mahler’s comment to Sibelius in 1907 that a symphony must be like the world is one of classical music’s most cited and has functioned as a crucial springboard for interpretations of the composer’s works. However, these have mostly centred on autobiographical, programmatic, or narrative aspects, with a focus on temporally unfolding plots or generic and semiotic connotations. LÄS MER
4. Brev från den autonoma musikens värld : Den diskursiva konstruktionen av musikalisk autonomi i den samtida klassiska CD-skivan
Sammanfattning : The purpose of the present thesis is to demonstrate in detail and by concrete example the construction of music as autonomous. It studies how the basic categories constituting the discourse of musical autonomy get reproduced in commercialized and mass-produced and at the same time institutionally authorized texts. LÄS MER
5. Schuberts "Stora C-dursymfoni" : Kommunikationen med ett musikaliskt konstverk : en tillämping av Paul Ricoeurs tolkningsbegrepp
Sammanfattning : The dissertation demonstrates how it is possible to apply the French philosopher Paul Ricoeur's hermeneutics to a musical work-of-art and illustrates the approach with an interpretation of Schubert's Great C-major Symphony (D 944). Arguments are put forward to show that the meaning of a musical work-of-art can be naively grasped under favourable communicative conditions. LÄS MER
