Sökning: "swedish theatre history"
Visar resultat 1 - 5 av 32 avhandlingar innehållade orden swedish theatre history.
1. Kulturfolk eller folkkultur? : 1968, kulturarbetarna och demokratin
Sammanfattning : Cultural folk or folk culture? 1968, cultural workers and democracy. In the early 1960’s it became clear that although Swedish citizens had experienced an overall increase in material well-being and political democracy, there were still severe shortages in terms of cultural democracy. LÄS MER
2. Ett hållbart minne? Historiebruk kring Georg Carl von Döbeln 1848-2009
Sammanfattning : The purpose of this thesis is to examine the use of history in relation to General Georg Carl von Döbeln (1758–1820), a prominent Swedish commander in the “Finnish War” of 1808–1809. The empirical material is extensive and includes, among others, a dissertation, biographies, movies, newspapers and weekly journals, an opera, a radio play, novels, a students’ farce, theatre plays, video recordings from various commemorative events, and annuals. LÄS MER
3. Arbetarrörelsen, Folkets Hus och offentligheten i Bromölla 1905-1960
Sammanfattning : The purpose of this dissertation is to analyze the People’s House in Bromölla as an arena for a plebeian public sphere. More specific, the analysis revolves around how the labour movement created a plebeian public sphere, the construction of the very arena and the activities there, including study circles, labour library, theatre plays, film showings, dance evenings and other amusements as parts of adult education among the working class people. LÄS MER
4. Hem till historien : August Strindberg, sekelskiftet och "Gustaf Adolf"
Sammanfattning : The point of departure for this study is the meeting-place between an author and his times. Both in his youth and in later years, August Strindberg was in bitter conflict with the Swedish Establishment. LÄS MER
5. I väntan på hufvudpersonen : Identitet och identifikation i svensk skämtbild 1870-1900
Sammanfattning : In the decades around 1900, political and social cartoons flourished in humour and satire magazines in the Swedish capital. The thesis presents a new theoretical start on the nature of humour in cartoons: the idea of the comical is argued as effects of reality notions and bracketing reality notions. LÄS MER