Sökning: "musical t"
Visar resultat 1 - 5 av 7 avhandlingar innehållade orden musical t.
1. Mellan provins och parnass : John Fernström i svenskt musikliv
Sammanfattning : The Swedish composer John Fernström (1897-1961) wrote over 200 pieces in the genres of symphonic music, chamber music and vocal music for mixed choirs, male choirs and solo vocals accompanied by piano. He lived most of his life in the province of Scania, first working in Helsingborg from 1916 1939 as a violinist in Nordvästra Skånes Orkester- förening [the Northwest Scanian Orchestra], whereafter he moved to Malmö and worked as a freelance conductor and composer until 1943. LÄS MER
2. Ut musica prosa : Musikaliseringens former och funktioner i några texter av E.T.A. Hoffmann
Sammanfattning : This thesis elucidates forms and functions of musicalization in some texts by the German writer (composer, painter, jurist etc) E.T.A. Hoffmann (1776-1822). LÄS MER
3. The Printed Score as a Mediator of Musical Meaning Approaches to Music Notation in Western tonal music
Sammanfattning : Abstract Centering on notation is a characteristic of Western tonal music. The printed scores are expected to provide the necessary information on musical expression. In this study, strategically selected contemporary musicians’ ways of under-standing the printed scores are investigated. LÄS MER
4. Hilding Rosenbergs apokalyps : studier i Johannes uppenbarelse - ett musikverk i stridsutrustning
Sammanfattning : The intention of this dissertation is to provide a portrait of Hilding Rosenberg´s musical work "The Revelation of S:t John" (1940), for a large orchestra, chorus and recitation (recitative), through illuminating the work´s history of origin and basic literary and musical structure. As a composition initially intended for broadcast over the radio, the form and content of "The Revelation of S:t John" was to a great degree determined by the conditions dictated by radio at the time. LÄS MER
5. "Sweetenings" and "Babylonish Gabble" : Flute Vibrato and Articulation of Fast Passages in the 18:th and 19:th centuries
Sammanfattning : During the 18th and 19th centuries, vibrato as well as the articulation of fast passages was often not indicated in the musical scores, but was left to the players discretion within prevailing practice. A finger-vibrato technique that this study names the flattement technique was the most recommended vibrato technique in Western classical music throughout the 18th century. LÄS MER