Sökning: "musical style analysis"
Visar resultat 1 - 5 av 20 avhandlingar innehållade orden musical style analysis.
1. Free Ensemble Improvisation
Sammanfattning : The aim of this doctoral project has been to study so-called non-idiomatic improvisation in ensembles consisting of two or three musicians who play together without any restrictions regarding style or genre and without having predetermined what is to be played or how they should play. The background to this thesis has been the author’s own free improvising, which he has pursued since 1974, and the questions that have arisen whilst music-making. LÄS MER
2. En liten sång som alla andra: Melodifestivalen 1959––1983 : A little song like all others: The Melody Festival 1959––1983
Sammanfattning : With the exception of three years, the Swedish Broadcasting Corporation has been a steady participant in the Eurovision Song Contest since 1958. Except for the first year, all Swedish entries have been selected by means of a televised national qualifying event. LÄS MER
3. Rich in Nuances: a Performance-Oriented Study of Otto Olsson’s Organ Music
Sammanfattning : The dissertation deals with the organ music of Otto Olsson (1879–1964), a leading Swedish organist, church musician, composer, pedagogue, and organ expert in the first half of the 20th century. The aim of the study is to formulate a historical performance practice fro Olsson’s organ music, conceived within a late Romantic performance tradition, which must be regarded as lost. LÄS MER
4. The acoustics and performance of DJ scratching, Analysis and modelling
Sammanfattning : This thesis focuses on the analysis and modeling of scratching, in other words, the DJ (disk jockey) practice of using the turntable as a musical instrument. There has been experimental use of turntables as musical instruments since their invention, but the use is now mainly ascribed to the musical genre hip-hop and the playing style known as scratching. LÄS MER
5. A Composite Modernist Composer : A Study of Intersections between Composition, Theorizing, and Performance in Olivier Messiaen
Sammanfattning : Different professional roles within music change over time. The evolution of modernism in twentieth century art music elevated the composer to the pinnacle of musical creativity. Accomplished modernist composers came to be regarded as intellectuals, and were expected to hold rational conceptions of their individual styles. LÄS MER