Sökning: "musical phenomenology"

Visar resultat 1 - 5 av 12 avhandlingar innehållade orden musical phenomenology.

1. 1. Musik som handling. Verkanalys, interpretation och musikalisk gestaltning. Med ett studium av Anders Eliassons Quartetto d'Archi

   Författare :Anders Tykesson; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; musical analysis; musical gestures; musical interpretation and performance; musical meaning; musical narrative; music theory; music as emotional expression; music as action; music as motion; music as mimesis; music and language; musical hermeneutics; musical phenomenology; musical semiotics; artistic research; Anders Eliasson; Hans-Heinrich Eggebrecht; Hans-Georg Gadamer; Robert Hatten; Ernst Kurth; Paul Ricoeur; Bo Wallner;

   Sammanfattning : The aim of the dissertation is to illustrate the potential musical analysis has in the development of artistic questions with regard to the interpretation and performance of western art music. The analyses of the dissertation focus on Quartetto d’Archi, by the Swedish composer Anders Eliasson, and discussions of music as action, music as emotional expression, music as motion and music as mimesis are based on the four movements of this string quartet. LÄS MER

3. 2. Musical Attunement : The concept and phenomenon of Stimmung in music

   Författare :Erik Wallrup; Jacob Derkert; Amalia Collisani; Sven-Olov Wallenstein; Peter Trawny Trawny; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; music; philosophy of music; attunement; mood; aesthetics; affectivity; listening; phenomenology; hermeneutics; romanticism; twentieth-century music; India; intercultural philosophy; Martin Heidegger; Theodor W. Adorno; Stimmung; Musicology; musikvetenskap;

   Sammanfattning : The principal aim of the study is to establish a new perspective on the affectivity of music. It is concerned with an everyday relation to music; that of listening for the mood, for the attunement. Despite its everyday character, this kind of listening has not been given due attention in music studies. LÄS MER

4. 3. Sångupplevelse - en klingade bekräftelse på min existens i världen : en fenomenologisk undersökning ur första-person-perspektiv

   Författare :Susanna Leijonhufvud; Cecilia Ferm Thorgersen; Karin Johansson; Frederik Pio; Kungl. Musikhögskolan; []
   Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; singing; experience; musical inter-subjectivity; music education; phenomenology; transcendence; sång; musikundervisning; sångerfarenhet; transcendens; musikalisk intersubjektivitet; fenomenologi;

   Sammanfattning : This thesis treats the phenomenon of Singing Experience. Its purpose is to reveal the content that constitutes the phenomenon of singing from the singers’ point of view. Singing should be understood as a unique vocal expression carried by tones in a form that is sonorous, alive and fluid. The singing is in the context of singing with others. LÄS MER

5. 4. Kropp, görande och varande i musik : en fenomenologisk studie

   Författare :Johanna Österling Brunström; Øivind Varkøy; Maria Westvall; Sven-Erik Holgersen; Gro Trondalen; Örebro universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; body and music; phenomenology; aesthetics; emotional and existential experience; Musikvetenskap; Musicology;

   Sammanfattning : This thesis aims to explore bodily anchored dimensions of meaning in relation to four different musical contexts. How does the body take hold of the music? How does the music take hold of the body? These questions intersect each other through providing different entry points, which aims to illuminate this phenomenon from different perspectives. LÄS MER

7. 5. Techniques of Ecstasy: Rumori - Tracing Sound

   Författare :Esaias Järnegard; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Experimental composition; ontology; ontopoetics; phenomenology; embodied knowledge; strategy of sound; ecstatic techniques; Lotta Lotass; Immanuel Kant; Giorgio Agamben; Antonin Artaud; Diamanda Galás; Martin Heidegger; Luigi Nono; Giacinto Scelsi;

   Sammanfattning : This doctoral thesis proposes the philosophical concept of ontopoetics in relation to an artistic practice of sound (music) and listening. The concept of ontopoetics is used as the backdrop of the developed notion of techniques of ecstasy essentially as an intermediary between listening and language. LÄS MER