Sökning: "musical modernism"
Visar resultat 1 - 5 av 7 avhandlingar innehållade orden musical modernism.
1. The Movement of a Musical Work : Ernst Krenek’s Opus 20 in the Interwar Years
Sammanfattning : The dissertation studies how one ‘modern’ piece of music from the early 20th century became conceptualised as an idealised musical work: the Third String Quartet, opus 20 (op. 20) by Austrian composer Ernst Krenek (1900–1991). LÄS MER
2. Mellan provins och parnass : John Fernström i svenskt musikliv
Sammanfattning : The Swedish composer John Fernström (1897-1961) wrote over 200 pieces in the genres of symphonic music, chamber music and vocal music for mixed choirs, male choirs and solo vocals accompanied by piano. He lived most of his life in the province of Scania, first working in Helsingborg from 1916 1939 as a violinist in Nordvästra Skånes Orkester- förening [the Northwest Scanian Orchestra], whereafter he moved to Malmö and worked as a freelance conductor and composer until 1943. LÄS MER
3. Interaktion von Leben und Werk bei Schönberg - analysiert anhand seiner Ehekrise des Jahres 1908
Sammanfattning : This thesis is a contribution to the understanding of the life and work of Arnold Schoenberg as well as to musical hermeneutics. The aims are (1) to scrutinize Arnold Schoenberg’s marital crisis of the year 1908, (2) to probe into the meanings of some representative musical works during this very period, and (3) to compare features in Schoenberg’s life and his creative work. LÄS MER
4. A Composite Modernist Composer : A Study of Intersections between Composition, Theorizing, and Performance in Olivier Messiaen
Sammanfattning : Different professional roles within music change over time. The evolution of modernism in twentieth century art music elevated the composer to the pinnacle of musical creativity. Accomplished modernist composers came to be regarded as intellectuals, and were expected to hold rational conceptions of their individual styles. LÄS MER
5. Stroke Darkly the Strings : On Paul Celan and Music
Sammanfattning : The aim of this study is to disclose the oeuvre of the German-Romanian Holocaust survivor Paul Celan as a site of problematic yet productive encounters between poetry and music. It addresses, on the one hand, music as a thematic and structural element in Celan’s poetry and, on the other hand, contemporary musical works interacting with this poetry. LÄS MER
