Sökning: "music taste"

Visar resultat 1 - 5 av 12 avhandlingar innehållade orden music taste.

  1. 1. Rocken spelar roll : En etnologisk studie av kvinnliga rockmusiker

    Författare :Marika Nordström; Alf Arvidsson; Marianne Liliequist; Alf Björnberg; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; rock music; rock musician; rock band; identity; feminism; gender; music making; amateur musician; creativity; identity politics; singer songwriter; Riot Grrrls Movement; third wave feminism; post feminism; music association; popular music; music education; music taste; fanship; Ethnology; Etnologi; Ethnology; etnologi;

    Sammanfattning : This doctoral thesis is about female rock musicians who are involved in two Swedish non-profit feminist music associations; Rockrebeller, which is situated in Uppsala and She´s Got the Beat in Umeå. The aim of the study is to analyze how the informants describe their lives as rock musicians and as active participants in these feminist music associations. LÄS MER

  3. 2. Textens Transfigurationer

    Författare :Jonas Forssell; Karin Helander; Anders Wiklund; Lunds universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; ”think aloud”-studies; hermeneutics; artistic research; script; opera; musical dramaturgy; libretto; translation; composing; screen writing; Libretto; Artistic practices;

    Sammanfattning : This thesis focuses on the opera text enlightened from four different perspectives: the translator, the librettist, the composer and finally the singer, based on the author’s thirty years of professsional practice, in the spirit of Donald A. Schön’s study from 1983: The Reflective Practitioner; How professionals think in action. LÄS MER

  4. 3. An Inexplicable Hunger – flutist)body(flute (dis)encounters

    Författare :Marina Cyrino; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; flute practices; flutist; performance; composition; improvisation; artistic research; musicianship; standardisation; specialisation; fragmentation; co-creation; collaborative processes; encounters; mixture; mixed practices; multimodal practices; metamorphosis; transdisciplinarity; transversality; flexible subjectivity; processual subjectivity; politics of subjectivation; otherness; othering; resonant body;

    Sammanfattning : This doctoral research is structured by singular encounters, that happened between 2014 and 2018. Together with a series of collaborators, I have developed a critical and poetic methodology through what I call “mixture”, “contamination” and the practice of “un-goaling”, in which my “flutist-body-flute” relation encounters the practices of other artists. LÄS MER

  5. 4. Högt och lågt : Smak och stil i ungdomskulturen

    Författare :Erling Bjurström; Kirsten Drotner; Stockholms universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Youth culture; style; taste; gender; youth research; culture; aesthetics; symbolic capital; social fields; habitus; school; identity; media; leisure; young people; distinction; dialogism; education; music; film; literature; social reproduction; cultural studies; high culture; popular culture; individualization; reflexivity; modernity; postmodern aesthetics; Media and communication studies; Medie- och kommunikationsvetenskap; medie- och kommunikationsvetenskap; Media and Communication Studies; SOCIAL SCIENCES;

    Sammanfattning : The thesis contributes to the understanding of modern youth cultures. The study consists of three parts. The first part explores the development of youth culture research. In the second part a theoretical perspective is developed on taste and style that can be applied to contemporary youth cultures. LÄS MER

  7. 5. Sågarnas sång : folkligt musicerande i sågverkssamhället Holmsund 1850-1980

    Författare :Alf Arvidsson; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Ethnomusicology; working-class culture; workers music; soundscape; amateur music; popular music; dancing; concerts;

    Sammanfattning : The aim of this dissertation is to analyze the public music-making by locals in Holmsund 1850—1980, and to explain the great variety of musical forms in hope to thereby illuminate the importance of local music-making for the workers' musical taste, but also how workers' musical aesthetics were affected by a more general working-class culture. The variety of musical forms is explained according to John Blacking's distinction between change of musical system, and variation and innovation within a musical system. LÄS MER