Sökning: "music as mimesis"

Hittade 3 avhandlingar innehållade orden music as mimesis.

  1. 1. Le respect de la tradition : Om den franska flöjtkonsten: dess lärande, hantverk och estetik i ett hermeneutiskt perspektiv

    Författare :Anders Ljungar-Chapelon; Musikhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; technical mastery; virtuosity; teaching methods; spontaneity; art; Aesthetics; automaieutics; coding; flute; education; flute playing; flute teaching; flute tutors; teaching in group; imitation; individual teaching; interpretation; intuition; instrumental skills; involuntary memory; learning; maieutics; mimesis; mediating tools; music; practice; musical expression;

    Sammanfattning : ABSTRACT The present study describes topics related to music education, and the education of flautists, primarily on a professional level, covering a period from early 18th Century up to the early 21st Century within the French flute tradition. Further related areas of importance are concepts such as intuition, imitation, mimeses and maieutics and their relation to a flautist’s learning and teaching. LÄS MER

  2. 2. Musik som handling. Verkanalys, interpretation och musikalisk gestaltning. Med ett studium av Anders Eliassons Quartetto d'Archi

    Författare :Anders Tykesson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; musical analysis; musical gestures; musical interpretation and performance; musical meaning; musical narrative; music theory; music as emotional expression; music as action; music as motion; music as mimesis; music and language; musical hermeneutics; musical phenomenology; musical semiotics; artistic research; Anders Eliasson; Hans-Heinrich Eggebrecht; Hans-Georg Gadamer; Robert Hatten; Ernst Kurth; Paul Ricoeur; Bo Wallner;

    Sammanfattning : The aim of the dissertation is to illustrate the potential musical analysis has in the development of artistic questions with regard to the interpretation and performance of western art music. The analyses of the dissertation focus on Quartetto d’Archi, by the Swedish composer Anders Eliasson, and discussions of music as action, music as emotional expression, music as motion and music as mimesis are based on the four movements of this string quartet. LÄS MER

  3. 3. Schuberts "Stora C-dursymfoni" : Kommunikationen med ett musikaliskt konstverk : en tillämping av Paul Ricoeurs tolkningsbegrepp

    Författare :Klaes-Göran Jernhake; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Musicology; work-of-art; interpretation; text; discourse; mimesis; 18-19th century musichistory; music aesthetics; music analysis; Schubert; instrumental music; the great C-major symphony; Vormärz; reception; Musikvetenskap; Music; Musikvetenskap; Musicology; Musikvetenskap;

    Sammanfattning : The dissertation demonstrates how it is possible to apply the French philosopher Paul Ricoeur's hermeneutics to a musical work-of-art and illustrates the approach with an interpretation of Schubert's Great C-major Symphony (D 944). Arguments are put forward to show that the meaning of a musical work-of-art can be naively grasped under favourable communicative conditions. LÄS MER