Sökning: "Simone de Beauvoir"

Visar resultat 1 - 5 av 12 avhandlingar innehållade orden Simone de Beauvoir.

1. 1. L'Effet-sincérité : L'Autobiographie littéraire vue à travers la critique journalistique : L'Exemple de La Force des choses de Simone de Beauvoir

   Författare :Vivi-Anne Lennartsson; Franska; []
   Nyckelord :HUMANIORA; HUMANITIES; La Force des choses Force of Circumstance ; Simone de Beauvoir; literary criticism; theory of autobiography; theory of literary evaluation; sincerity effect; textual engagement; emotional textual quality; style evaluation; autobiographical style; Simone de Beauvoir s style; Les Mandarins The Mandarins ; Georges Gusdorf; Björn Larsson; Philippe Lejeune; Morten Nøjgaard.; Fransk litteratur; French literature; autobiography; Reception; General and comparative literature; literature criticism; literary theory; Allmän och jämförande litteratur; litteraturkritik; litteraturteori;

   Sammanfattning : In light of autobiographical theory, this study deals with the critics' reception of Simone de Beauvoir's La Force des choses when the book was first published in 1963 in France. The three main parts examine the critical comments on the genre, the final controversial words expressing the author's disappointment, and the evaluation of her style. LÄS MER

3. 2. La Double Conscience. La prise de conscience féminine chez Colette, Simone de Beauvoir et Marie Cardinal

   Författare :Christina Angelfors; Lunds univetsitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Feminist Literary Criticism; French Feminist Theory; Heterosexual Ideology; Patriarchal Ideology; Psychoanalysis of Literature; Sociology of Literature; Women s Oppression; Literature; Litteraturvetenskap; Franska med inriktning mot litteraturvetenskap; French literature;

   Sammanfattning : .... LÄS MER

4. 3. La réception des Mandarins : le roman de Simone de Beauvoir face à la critique littéraire en France

   Författare :Björn Larsson; Franska; []
   Nyckelord :HUMANIORA; HUMANITIES;

   Sammanfattning : Abstract not available.... LÄS MER

5. 4. Tomboys, Belles, and Other Ladies : The Female Body-Subject in Selected Works by Katherine Anne Porter and Carson McCullers

   Författare :Ellen Matlok-Ziemann; Rolf Lundén; Sharon Monteith; Uppsala universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; English language; Katherine Anne Porter; Carson McCullers; Simone de Beauvoir; Maurice Merleau-Ponty; “Miranda stories”; “The Princess”; The Heart Is a Lonely Hunter; The Member of the Wedding; The Ballad of the Sad Café; female body-subject; subjectivity; reciprocal relationship; “being-in-the-world”; “becoming”; habituality; pathology; mimicry; performance; the abject; Engelska; English language; Engelska språket; English; Engelska;

   Sammanfattning : This study investigates how the Southern writers Katherine Anne Porter and Carson McCullers negotiate the process of becoming a woman in their texts and expose and ridicule the artificiality of that category. Focusing on a selection of Porter’s “Miranda stories” (published between 1935 and 1941) and “The Princess” (1993) and McCullers’s The Heart Is a Lonely Hunter (1940), The Member of the Wedding (1946), and The Ballad of the Sad Café (1943), I argue that both writers voice their protest against patriarchal society that forecloses women’s assumption of subjectivity. LÄS MER

7. 5. Omförhandlingar : Kropp, replik, etik

   Författare :Petra Fransson; Lärare (Teaterhögskolan); []
   Nyckelord :HUMANIORA; HUMANITIES; acting; body; theatrical line; ethics; action; feminist theatre; critical practice; speaking subject; ambiguity as method; performativity; artistic research; Elfriede Jelinek; Simone de Beauvoir; Julia Kristeva; Hanna Arendt; Virginia Woolf; Judith Butler; Gayatri Chakravorty Spivak; Sarah Ahmed;

   Sammanfattning : Renegotiations: Body, Line, Ethics departs from questions concerning authorship and agency for actors in institutionalised settings and moves towards a discussion on ethics, responsibility and possibilities in the body – text relationship. The question of how bodies can be renegotiated in and by the theatrical line is central to the work. LÄS MER