Sökning: "Popular art"

Visar resultat 1 - 5 av 301 avhandlingar innehållade orden Popular art.

  1. 1. The Street Art World

    Författare :Peter Bengtsen; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; public space; contemporary art; art market; gadekunst; gatukonst; Faile; Banksy; public art; graffiti; street art; urban art; street art world; The Street Art World;

    Sammanfattning : In recent years, street art has become embedded in popular culture and received growing attention from the art market and art institutions. Work by street artists has entered galleries, auction houses and museums, and some artists have been given the opportunity to create large-scale sanctioned public art projects. LÄS MER

  3. 2. Konst i omlopp : mening, medier och marknad i Stockholm under 1700-talets senare hälft

    Författare :Sonya Petersson; Margaretha Rossholm-Lagerlöf; Marta Edling; Katja Tollmar Grillner; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art; fine arts; concepts; definitions; media culture; intermediality; cultural consumption; cultural market; class; press; encyclopaedias; prints; exhibitions; auctions; aesthetics; perception; pleasure; entertainment; knowledge; luxury; body and soul; konst; sköna konster; begrepp; definitioner; mediekultur; intermedialitet; kulturkonsumtion; kulturmarknad; klass; press; encyklopedier; grafik; utställningar; auktioner; estetik; perception; behag; nöje; kunskap; lyx; kropp och själ; konstvetenskap; Art History;

    Sammanfattning : The aim of this doctoral thesis is to explore how art was mediated and given meaning in the environment of an urban media culture in Stockholm during the second part of the 18th century. It comprises studies of how art was distributed on the market, how it was discussed in the press and how it was exhibited in public. LÄS MER

  4. 3. Bilder av Förintelsen. Mening, minne, kompromettering

    Författare :Max Liljefors; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; Visual Studies; Visual Culture; Holocaust Representation; Holocaust Art; Holocaust Studies; Documentary Photography; Abject Art; NO!art; Monuments; Psychoanalytic Theory; Julia Kristeva; Jacques Lacan; Abjection; Sublimation; Sacrifice; Katharsis; Apocaly; Art history; Konsthistoria; Contemporary history since 1914 ; Nutidshistoria från 1914 ;

    Sammanfattning : This thesis examines the representation in visual culture of the Holocaust, the Nazi genocide of European Jewry. It is divided into three main parts, each one focusing on a particular aspect of Holocaust representation. LÄS MER

  5. 4. Lena Cronqvist: Reflections of Girls

    Författare :Katarina Wadstein MacLeod; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; ambiguous bodies; memory; aggression; bathing; feminism and art; representation; painting; Lena Cronqvist; girls; narrative; Art history; Konsthistoria; Målarkonst – historia – Sverige – 1990-talet – sekelskiftet 2000 Flickor i konsten; Art;

    Sammanfattning : The starting point for this PhD, is the large number of girls that opposed the common trend in which girls are represented as innocent, romantic and sexual. The aim of this study has been to provide the first piece of research ever on this body of work by the Swedish artist Lena Cronqvist (b. LÄS MER

  7. 5. Tillvaratagna effekter. Om Jan Håfströms konstnärskap och konstnärsroll

    Författare :Martin Sundberg; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; Modernism; Pop art; New realism; Minimal art; Romanticism; Ruins; Originality; Word and image; Elective affinity; Canon; Outsider; Artist s role; Material iconography; Jan Håfström; Swedish contemporary art; Postmodernism; Art history; Konsthistoria;

    Sammanfattning : In this thesis the oeuvre of the Swedish artist Jan Håfström (born 1937), from his debut in 1966 until 2002, is presented for the first time in a comprehensive approach. Concepts linked to modernism and postmodernism are used as a frame and the art works are discussed in a comparative way, placing the artist in an international context. LÄS MER