Sökning: "Music Speed"

Visar resultat 1 - 5 av 7 avhandlingar innehållade orden Music Speed.

1. 1. Modeling Music : Studies of Music Transcription, Music Perception and Music Production

   Författare :Anders Elowsson; Anders Friberg; Pawel Herman; Anders Askenfelt; Gerhard Widmer; KTH; []
   Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; NATURVETENSKAP; NATURAL SCIENCES; NATURVETENSKAP; NATURAL SCIENCES; Music Information Retrieval; MIR; Music; Music Transcription; Music Perception; Music Production; Tempo Estimation; Beat Tracking; Polyphonic Pitch Tracking; Polyphonic Transcription; Music Speed; Music Dynamics; Long-time average spectrum; LTAS; Algorithmic Composition; Deep Layered Learning; Convolutional Neural Networks; Rhythm Tracking; Ensemble Learning; Perceptual Features; Representation Learning;

   Sammanfattning : This dissertation presents ten studies focusing on three important subfields of music information retrieval (MIR): music transcription (Part A), music perception (Part B), and music production (Part C).In Part A, systems capable of transcribing rhythm and polyphonic pitch are described. LÄS MER

3. 2. Sång inom populärmusikgenrer

   Författare :Daniel Borch; Luleå tekniska universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Musikalisk gestaltning; Musical Performance;

   Sammanfattning : This dissertation consists of five parts dealing with three areas; voice science, voice pedagogics and musical expression. The ultimate aim was to use the scientific analyzes of my vocal expression as a complement to a vocal teaching method that is applicable for the vocal ideals used in the popular music genres, considering also current scientific knowledge in the areas of physiology, acoustics and rehabilitation. LÄS MER

4. 3. Figures of time : on the phenomenology of cinema and temporality

   Författare :Malin Wahlberg; Michael Renov; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

   Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER

5. 4. Analyses of voice and glottographic signals in singing and speech

   Författare :Andreas Selamtzis; Sten Ternström; Paavo Alku; KTH; []
   Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; voice ; singing ; electroglottography ; clustering ; dysphonia ; sample entropy ; ; Tal- och musikkommunikation; Speech and Music Communication;

   Sammanfattning : Recent advances in machine learning and time series analysis techniques have brought new perspectives to a great number of scientific fields. This thesis contributes applications of such techniques to voice analysis, in an attempt to extract information on the vibration of the vocal folds as such, as well as on the radiated acoustic signal. LÄS MER

7. 5. Evaluation of Live Loudness Meters

   Författare :Jon Allan; Jan Berg; Scott Norcross; Luleå tekniska universitet; []
   Nyckelord :TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; HUMANIORA; HUMANITIES; loudness; loudness metering; live loudness meter; loudness meter; audio level alignment; R 128; hörstyrka; mätning av hörstyrka; loudnessmätare; hörstyrkemätare; nivåjustering; R 128; upplevd ljudnivå; Audio Technology; Ljudteknik;

   Sammanfattning : Discrepancies in loudness (i.e. sensation of audio intensity) has been of great concern within the broadcast community. For television broadcast, disparities in audio levels have been rated the number one cause to annoyance by the audience. LÄS MER