Sökning: "Media Art"

Visar resultat 1 - 5 av 174 avhandlingar innehållade orden Media Art.

  1. 1. Transversal media practices : media archaeology, art and technological development

    Författare :Kristoffer Gansing; Beryl Graham; Malmö högskola; []
    Nyckelord :media archaeology; transversality; technological development; new media; media art; alternative media; practice-based research; cultural production; artistic research; overhead projector; television; remediation; imaginary media;

    Sammanfattning : Transversal Media Practices work across specific situations of technological development, critically examining and redefining the terms of production in different media by bringing heterogeneous histories, institutions, actors and materialities into play with one another. This dissertation is all about trying out and refining the methodologies of such transversal media practices, in the end outlining a conceptual set of tools for further development. LÄS MER

  3. 2. Konst i omlopp : mening, medier och marknad i Stockholm under 1700-talets senare hälft

    Författare :Sonya Petersson; Margaretha Rossholm-Lagerlöf; Marta Edling; Katja Tollmar Grillner; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art; fine arts; concepts; definitions; media culture; intermediality; cultural consumption; cultural market; class; press; encyclopaedias; prints; exhibitions; auctions; aesthetics; perception; pleasure; entertainment; knowledge; luxury; body and soul; konst; sköna konster; begrepp; definitioner; mediekultur; intermedialitet; kulturkonsumtion; kulturmarknad; klass; press; encyklopedier; grafik; utställningar; auktioner; estetik; perception; behag; nöje; kunskap; lyx; kropp och själ; konstvetenskap; Art History;

    Sammanfattning : The aim of this doctoral thesis is to explore how art was mediated and given meaning in the environment of an urban media culture in Stockholm during the second part of the 18th century. It comprises studies of how art was distributed on the market, how it was discussed in the press and how it was exhibited in public. LÄS MER

  4. 3. The Archive Art Phenomenon : History and Critique at the Turn of the Twenty-First Century

    Författare :Sara Callahan; Anna Dahlgren; Dan Karlholm; Anna Orrghen; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; archival art; archival turn; archive art; contemporary art; critical paradigm; the Institutional Theory of Art; Institutional Critique; parafiction; postcritique; presentism; travelling concepts; The Atlas Group; Arthur Danto; Jacques Derrida; Michel Foucault; Joachim Koester; Zoe Leonard; Michael Maranda; Walid Raad; Raqs Media Collective; Ed Ruscha; Fred Wilson; konstvetenskap; Art History;

    Sammanfattning : This dissertation investigates the relationship between art and archive at the turn of the twenty-first century. The object of study is the phenomenon of archive art, understood as a combination of theories of the archive, artworks, and different kinds of texts (catalogues, scholarly articles, critical essays, etc. LÄS MER

  5. 4. Alternativ television : former av kritik i konstnärlig TV-produktion

    Författare :Linus Andersson; Göran Bolin; Stig Arne Nohrstedt; Anna Roswall; Espen Ytreberg; Örebro universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; alternative television; alternative media; critical media; television; media aesthetics; media critique; Media and Communication Studies; Medie- och kommunikationsvetenskap;

    Sammanfattning : This dissertation analyses social critique, communication critique and aestheticalcritique in television produced by artists. Theoretically it draws on researchon alternative media, TV studies, especially genre analysis and narratology,and media aesthetics. LÄS MER

  7. 5. Film på konstmuseum : Nationalmuseums möten med filmmediet 1945–1950

    Författare :Jimmy Pettersson; Jessica Sjöholm Skrubbe; Peter Gillgren; Maria Görts; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; History of media; Film; Avant-garde film; Experimental film; Art film; Non-theatrical film; Educational film; Film exhibition; Art museum; Nationalmuseum; Viking Eggeling; Hans Richter; Museum of Modern Art; Iris Barry; FIAF; Film society; konstvetenskap; Art History;

    Sammanfattning : This dissertation presents a number of previously-forgotten practices and ‘expected opportunities’ which surrounded film at the Swedish National Museum of Fine Arts (Nationalmuseum), between 1945 and 1950. The dissertation is structured around three projects and each project has its own chapter. LÄS MER