Sökning: "Martin Olin"

Visar resultat 1 - 5 av 7 avhandlingar innehållade orden Martin Olin.

1. 1. Det karolinska porträttet. Ideologi, ikonografi, identitet

   Författare :Martin Olin; Avdelningen för konsthistoria och visuella studier; []
   Nyckelord :HUMANIORA; HUMANITIES; portraiture; absolutism; Charles XI; Charles XII; David Klöcker Ehrenstrahl; Art history; history of collection; 17th century art; Konsthistoria;

   Sammanfattning : The subject of this thesis is portraiture and its context in Sweden during the Caroline era (1654-1718). Mainly, it focuses on portraits of the political élite, including the Royal family, and on the biographies of the artists that depicted those sitters. The dissertation consists of an introductory chapter and three longer case studies. LÄS MER

3. 2. Nanomechanics – Quantum Size Effects, Contacts, and Triboelectricity

   Författare :Martin Olsen; Jonas Örtegren; Håkan Olin; Per Gradin; Peter Glans; Rusen Yang; Mittuniversitetet; []
   Nyckelord :triboelectricity; adatom; ion; charge; mound; quantum size effect; triboelctric nanogenerator; TENG; wind driven; contact; nanomechanics; fri electron model; nanowire cantilever;

   Sammanfattning : Nanomechanics is different from the mechanics that we experience in everyday life. At the nano-scale, typically defined as 1 to 100 nanometers, some phenomena are of crucial importance, while the same phenomena can be completely neglected on a larger scale. LÄS MER

4. 3. The mechanics in two nanosized systems : Size effect and threshold field

   Författare :Martin Olsen; Håkan Olin; Ulf Lindefelt; Sven Öberg; Mittuniversitetet; []
   Nyckelord :;

   Sammanfattning : This thesis investigates the mechanics in two nanosized system. Paper I investigates a size effect in a cantilever nanowire affecting its resonance frequency. Paper II reveals a threshold field for the formation of a mound by the diffusion of surface atoms on a substrate under a STM-tip. LÄS MER

5. 4. Becoming Artists : Self-Portraits, Friendship Images and Studio Scenes by Nordic Women Painters in the 1880s

   Författare :Carina Rech; Sabrina Norlander Eliasson; Jessica Sjöholm Skrubbe; Martin Olin; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Nordic art; nineteenth-century art; women artists; self-portrait; portraiture; friendship; studio; collaboration; emulation; letters; epistolary; self-fashioning; feminist art history; Opponents; Salon; Julia Beck; Hanna Hirsch-Pauli; Bertha Wegmann; konstvetenskap; Art History;

   Sammanfattning : The aim of this dissertation is to analyze how Nordic women artists negotiated their professional identity in painting in the 1880s, focusing on the genres of the self-portrait, the friendship image and the studio interior. It investigates how artistic identity is fashioned through self-representation, collaboration with a colleague and in interaction with the interior of the studio as a constitutive space of artistic professionalism. LÄS MER

7. 5. The Art of Pleasing the Eye : Portraits by Nicolas de Largillierre and Spectatorship with Taste for Colour in the Early Eighteenth Century

   Författare :Roussina Roussinova; Margaretha Rossholm Lagerlöf; Sabrina Norlander Eliasson; Tomas Björk; Martin Olin; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; spectatorship; pleasure; meaning; body and mind; senses; illusion; imagination; touch; colour; attention; attraction; detail; display; portraiture; art theory; amateur; conversation; honnêteté; performativity; Nicolas de Largillierre; Roger de Piles; konstvetenskap; Art History;

   Sammanfattning : This study examines the interaction between portraits by the exponent of French colourist painting Nicolas de Largillierre (1656–1745) and elite spectatorship in the early eighteenth century as enactment of the idea of painting as an art of pleasing the eye. As developed in the theory of art of Roger de Piles (1635–1709), the idea of painting as an art of pleasing the eye coexisted with the classicist view, which in turn emphasised the potential of painting to communicate discursive meanings and hence to engage the mind. LÄS MER