Sökning: "Arts Craft"

Visar resultat 1 - 5 av 41 avhandlingar innehållade orden Arts Craft.

  1. 1. Lerbaserad erfarenhet och språklighet

    Författare :Mårten Medbo; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; crafts; artistic research; practical knowledge; clay-based; language-ness; concept-crafting; theory-practice; craft; applied arts; beyond-the-conceptual; Konstnärlig forskning;

    Sammanfattning : During the course of the twentieth century, a doubt emerged – first within visual arts, and later also within crafts – where the relevance of the traditional way of making art was addressed, as were thoughts on what was termed ‘empty shape’. The notion that shape in itself was no longer artistically valid is closely linked to notions of materiality as hindrance, and immateriality as freedom – all of which have had a major influence on contemporary visual arts and crafts, in general, and, more specifically, on what I term ‘theory-practice’ within the field of crafts. LÄS MER

  2. 2. Den kapitalistiska skådespelaren : Aktör eller leverantör?

    Författare :Ulf Friberg; Cecilia Lagerström; Sven-Eric Liedman; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; actor s craft. the individual actor; theatre leadership and organisation; actor and capitalism; theatre and the new public management; post-dramatic theatre; theatre in change; informal power; artistic research; actor’s craft; the individual actor; theatre leadership and organisation; actors and capitalism; theatre and new public management; postdramatic theatre; theatre in change; informal power; artistic research;

    Sammanfattning : The dissertation revolves around an actor’s craft as a changing craft. Theatre workers– like many other professions in Sweden – have experienced major changes in thelabour market during a relatively short period of time. LÄS MER

  3. 3. World Wide Workshop: The Craft of Noticing

    Författare :Nicolas Cheng; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Craft; Jewellery; Situated Making; Noticing; Care; Empathy; Postindustrial; World Wide Workshop;

    Sammanfattning : In my research, I consider craft as a discipline that is extremely elastic in terms of propositions and positions. Today craft exists in a highly dynamic space — what I will refer to as the World Wide Workshop — and is essential for noticing, caring, mending and negotiating the complex relationships that individuals and communities have with their sociopolitical, economic and natural environment. LÄS MER

  4. 4. Vems hand är det som gör? : En systertext om konst/hantverk, klass, feminism och om viljan att ta strid

    Författare :Frida Hållander; Moa Matthis; Hanna Hallgren; Katarina Bonnevier; Konstfack; []
    Nyckelord :HUMANIORA; HUMANITIES; artistic research; craft; ceramics; textile; class; feminism; willfulness; autoethnography; together - making; artistic research; craft; ceramics; textile; class; feminism; willfulness; autoethnography; together-making;

    Sammanfattning : Whose hand is making? And how can we understand craft practices in dialogue with society through making and objects? How do we understand objects that manifest resistance? This dissertation in artistic research explores craft practices within the fields of ceramics and textile, through the method and form of autoethnography, and on the basis of an intersectional perspective. It understands making as embodied experience and knowledge, conditioned, but not always bounded, by societal structures, and it documents the resistance against, and the resilience of, repressive structures, in dialogues and struggles where objects gain agency. LÄS MER

  5. 5. Form-defining systems of reverse crafting

    Författare :Karin Peterson; Hanna Landin; Steve Royston Brown; Högskolan i Borås; []
    Nyckelord :HUMANIORA; HUMANITIES; Form-defining systems; textile-form; transpositions; craft; Textiles and Fashion Design ; Textil och mode konstnärlig ;

    Sammanfattning : Textile-form as dress is often synonymous with the form-defining system of cut and assemble, and as such, cut and assemble can be argued as that which defines as well as restrains this discipline. The following work is an inquiry that aims to investigate alternative methods of form-thinking and manufacturing, and their aesthetic consequences for dress. LÄS MER